As I promised in the ‘About’ section of this site, I will discover and promote as many modern day and up and coming artists as possible. Well today, I came across one such artist. He is a relatively young cat named Jeremy Pelt. From the pieces I have heard, he is truly an artist, one who not only sounds good but one truly expresses musical ideas in an experimental and expressive manner. A short while after graduating from Berklee College of Music in 1998, Jeremy began to play with the Minus Big Band in New York. Since that time he has had much success, voted rising star for five years in a row by Downbeat and featured on the cover of both Downbeat and Jazz Colour. He has been fortunate to play with some of today’s and yesterday’s jazz luminaries, including Ravi Coltrane, Vincent Herring, Nancy Wilson, Bobby “Blue” Bland, The Skatalites and many more. He has also been featured in the Roy Hargrove Band and the Duke Ellington Big Band.
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Rising Star – Jeremy Pelt
Recordings from Art Farmer and Kenny Dorham
Art Farmer, ‘Brass Shout/Aztec Suite’
Check out these re-mastered albums originally created with Big Brass sections and full orchestras in 1959. On Brass Shout an outstanding version of APRIL IN PARIS is just one of the surprises presented. On Aztec Suite, along with some multi-faceted exoticism, you can dig the Latin rhythms in HEAT WAVE and DRUME NEGRITA. A great release for Art Farmer fans!
Dizzy Gillespie Quintet – Tin Tin Deo
Ooooh, baby! A must see clip!
Musical Colorist – Johnny Coles
As artists we must take in as many ideas, colors, textures, and sounds as possible, all of which become our own palette to draw from when we create. This is especially true in Jazz, as it is a collaborative art form where we learn from each other.
Well, last night, having worked too late into the evening, I wasn’t in the mood for high note antics or the like. You might say I was feeling a bit mellow. Thumbing through some CD’s I hadn’t listened to in a while, I came across ‘Little Johnny C,’ by Johnny Coles. I had forgotten what an experience it is to listen to this cat play. Oh man, I mean his sound lights a fire deep into my spine. Warm but cool, with shades of purple, green and yellow. While Johnny Coles is not a household name in the jazz world, as trumpeters he is one player that you should be familiar with. Johnny grew up in Philadelphia and started playing the trumpet at age ten. He was mostly self-taught, with the extent of his formal music training being received at a vocational high school. He played in army bands during the war years and thereafter began to play in various R&B groups, including Eddie “Cleanhead” Vinson’s group, which included John Coltrane. After this period, Johnny hooked up with James Moody and played with his group from 1956-1958. When he left Moody, he began an association with Gil Evans that lasted until 1964. During those years he played on several Evans productions, including several Evans-Davis collaborations, such as ‘Porgy and Bess’ and ‘Sketches of Spain’. Some have commented that his association with Evans deprived him his just dessert and caused him to be seen as merely a Miles Davis understudy. Regardless, Mr. Coles exploited the fullness of his trumpet’s qualities, as he was truly a capable musical colorist that understood how to use a color’s shades well. After separating with Evans, he toured with the Charles Mingus group for a period. There is a Charles Mingus DVD set entitled ‘Live in ’64,’ that contains live footage of the group’s performances in Europe. Johnny also played with Herbie Hancock during 1968-69. A great chart to hear his genius on is entitled, ‘The Prisoner’ on the Herbie Hancock album of the same name. During the remainder of his life, Johnny played with Ray Charles, Duke Ellington and Count Basie, among others. You can enjoy the warm sound of Johnny Coles on these fine productions.
Wicked Connie
As Doc Severinsen has correctly pointed out, practice and how we practice is essential to how well we play. However, a quality instrument can make a world of difference in the finished playing produced. Some of the earliest types of trumpets dating to around 1500 BC, although quite inventive and interesting, were likely very difficult to play well. In comparison to the historic trumpets our predecessors played, the old ad proclaiming ‘you’ve come a long way baby’, should ring out. In fact, some of the horns on the market today are downright pieces of art and beauty!
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