Trumpet Dude salutes one of the best today, Happy Birthday Kenny! Yes, Kenny Dorham was one of the best voices to ever travel the trajectories of a trumpet. While his playing voice was incredible, he never received the accolades he should have from the jazz establishment, always overshadowed by the likes of Dizzy Gillespie, Miles Davis, Lee Morgan, Clifford Brown and Fats Navarro. Perhaps this is simply because he didn’t have a flamboyant personality like the others. I can only speculate, but in fact, he was referred to as ‘quiet Kenny.’ Regardless, his playing has stood the test of time and is now considered some of the best and a must listen for any aspiring jazz trumpeter today. I myself had not heard of Kenny until trumpeter Dave Scott turned me on to him some years ago, asserting that Kenny was his favorite. To this day, I am utterly amazed and challenged by the music that Kenny composed in his improvisations.

Kenny grew up in south Texas and began to teach himself piano and trumpet during High School. During High School he also spent a lot of time on the school boxing team. He studied chemistry and physics in college and was drafted into the Army in 1942. By 1945 he was playing in the first Dizzy Gillespie big band. Thereafter, he played with other great jazz players and leaders including Billy Eckstine, Lionel Hampton, Mercer Ellington and also the BeBop Boys (aka 52nd Street Boys).

Kenny was a wonderful composer. He composed and arranged several great pieces including, “Okay for Baby” for Lucky Millinder and Benny Carter, and “Malibu” for Cootie Williams. He also did ghosting arrangements for the infamous Gil Fuller that were sold to several name big bands, including Harry James, Jimmy Dorsey, and Gene Krupa. He is also remembered for writing the jazz standard, ‘Blue Bossa.’

In late 1948, Kenny replaced Miles Davis in the Charlie Parker quintet where he continued to play for a year or so. This group played together at the Paris Jazz Fair in 1949. Following that gig, Kenny did free lance work in New York playing alongside many greats including the brilliant players and composers Bud Powell and Thelonious Monk.

Twice in his playing career Kenny replaced trumpeter Clifford Brown. First, for Art Blakey’s group the ‘Jazz Messengers,’ in 1954, when Clifford formed the infamous quintet with Max Roach (Brown/Roach Quintet) and then replacing him in that same group in late 1956 when Clifford tragically died in an auto accident.

Kenny also headed several of his own groups including a group he named the ‘Jazz Prophets.’ A notable player that joined one of Kenny’s groups was a young tenor saxophonist, Joe Henderson, who was 26 when he teamed up with Kenny in 1963. They formed a long lasting friendship and were quite prolific producing many fine pieces for Blue Note and Prestige, including my favorite, ‘Una Mas.’ This documented period also reveals Kenny playing with up and comer, Herbie Hancock.

During his short life, Kenny also wrote several great and insightful reviews for the jazz magazine, ‘Downbeat.’

Happy Birthday, Kenny!!

Disc two includes: ‘MacArthur Park,’ and ‘Meet a Cheetah.’

Maynard Ferguson was truly one of the greatest trumpet players ever! He was not only the best trumpeter to ever master the stratospheric register of trumpet playing, he was also a talented soloist and multi-instrumentalist. He began playing music when he was quite young, and by the age of 15 was playing in a group with Oscar Peterson. Maynard was an internationally famous big-band leader, one of the world’s great brass players, an instrument designer, record producer, composer, arranger, producer of film soundtracks, and a truly dedicated teacher. He also studied yoga extensively, lived in India and was cited as being at a house gathering in Connecticut where Timothy Leary was present.
For those of you who would rather purchase the CD versions of this project, you can purchase them directly from Sleepy Night at http://www.sleepynightrecords.com/