Musical Colorist – Johnny Coles

As artists we must take in as many ideas, colors, textures, and sounds as possible, all of which become our own palette to draw from when we create. This is especially true in Jazz, as it is a collaborative art form where we learn from each other.

Well, last night, having worked too late into the evening, I wasn’t in the mood for high note antics or the like. You might say I was feeling a bit mellow. Thumbing through some CD’s I hadn’t listened to in a while, I came across ‘Little Johnny C,’ by Johnny Coles. I had forgotten what an experience it is to listen to this cat play. Oh man, I mean his sound lights a fire deep into my spine. Warm but cool, with shades of purple, green and yellow. While Johnny Coles is not a household name in the jazz world, as trumpeters he is one player that you should be familiar with. Johnny grew up in Philadelphia and started playing the trumpet at age ten. He was mostly self-taught, with the extent of his formal music training being received at a vocational high school. He played in army bands during the war years and thereafter began to play in various R&B groups, including Eddie “Cleanhead” Vinson’s group, which included John Coltrane. After this period, Johnny hooked up with James Moody and played with his group from 1956-1958. When he left Moody, he began an association with Gil Evans that lasted until 1964. During those years he played on several Evans productions, including several Evans-Davis collaborations, such as ‘Porgy and Bess’ and ‘Sketches of Spain’. Some have commented that his association with Evans deprived him his just dessert and caused him to be seen as merely a Miles Davis understudy. Regardless, Mr. Coles exploited the fullness of his trumpet’s qualities, as he was truly a capable musical colorist that understood how to use a color’s shades well. After separating with Evans, he toured with the Charles Mingus group for a period. There is a Charles Mingus DVD set entitled ‘Live in ’64,’ that contains live footage of the group’s performances in Europe. Johnny also played with Herbie Hancock during 1968-69. A great chart to hear his genius on is entitled, ‘The Prisoner’ on the Herbie Hancock album of the same name. During the remainder of his life, Johnny played with Ray Charles, Duke Ellington and Count Basie, among others. You can enjoy the warm sound of Johnny Coles on these fine productions.

Shake, Rattle and Roll

“Shake, rattle and roll”, yes there’s some good vibrations going on in Lala land once again. 5.4 on the Richter today! I lived in LA during the last big Northridge Quake, what a trip!   LA always reminds me of a concert I had the privilege to attend while out there. It was dedicated to Dizzy Gillespie and held at the Hollywood Bowl, “To Diz with Love-Celebrating the Dizzy Gillespie Diamond Jubilee,” with Slide Hampton as Musical Director-and of course playing his bone. Freddie Hubbard played the lead trumpet part, along with a fairly young Roy Hargrove. Clark Terry, Harry “Sweets” Edison and Claudio Roditi were also playing in the trumpet section. At one point Dizzy came on stage all decked out in a bright yellow leisure suit and, of course, received an immediate standing ovation.  Having been a fan of his since middle school, it was quite a treat.  James Moody, David Sanchez and Paquito D’Rivera held down the saxophone section.
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