Trumpet Dude salutes one of the best today, Happy Birthday Kenny! Yes, Kenny Dorham was one of the best voices to ever travel the trajectories of a trumpet. While his playing voice was incredible, he never received the accolades he should have from the jazz establishment, always overshadowed by the likes of Dizzy Gillespie, Miles Davis, Lee Morgan, Clifford Brown and Fats Navarro. Perhaps this is simply because he didn’t have a flamboyant personality like the others. I can only speculate, but in fact, he was referred to as ‘quiet Kenny.’ Regardless, his playing has stood the test of time and is now considered some of the best and a must listen for any aspiring jazz trumpeter today. I myself had not heard of Kenny until trumpeter Dave Scott turned me on to him some years ago, asserting that Kenny was his favorite. To this day, I am utterly amazed and challenged by the music that Kenny composed in his improvisations.

Kenny grew up in south Texas and began to teach himself piano and trumpet during High School. During High School he also spent a lot of time on the school boxing team. He studied chemistry and physics in college and was drafted into the Army in 1942. By 1945 he was playing in the first Dizzy Gillespie big band. Thereafter, he played with other great jazz players and leaders including Billy Eckstine, Lionel Hampton, Mercer Ellington and also the BeBop Boys (aka 52nd Street Boys).

Kenny was a wonderful composer. He composed and arranged several great pieces including, “Okay for Baby” for Lucky Millinder and Benny Carter, and “Malibu” for Cootie Williams. He also did ghosting arrangements for the infamous Gil Fuller that were sold to several name big bands, including Harry James, Jimmy Dorsey, and Gene Krupa. He is also remembered for writing the jazz standard, ‘Blue Bossa.’

In late 1948, Kenny replaced Miles Davis in the Charlie Parker quintet where he continued to play for a year or so. This group played together at the Paris Jazz Fair in 1949. Following that gig, Kenny did free lance work in New York playing alongside many greats including the brilliant players and composers Bud Powell and Thelonious Monk.

Twice in his playing career Kenny replaced trumpeter Clifford Brown. First, for Art Blakey’s group the ‘Jazz Messengers,’ in 1954, when Clifford formed the infamous quintet with Max Roach (Brown/Roach Quintet) and then replacing him in that same group in late 1956 when Clifford tragically died in an auto accident.

Kenny also headed several of his own groups including a group he named the ‘Jazz Prophets.’ A notable player that joined one of Kenny’s groups was a young tenor saxophonist, Joe Henderson, who was 26 when he teamed up with Kenny in 1963. They formed a long lasting friendship and were quite prolific producing many fine pieces for Blue Note and Prestige, including my favorite, ‘Una Mas.’ This documented period also reveals Kenny playing with up and comer, Herbie Hancock.

During his short life, Kenny also wrote several great and insightful reviews for the jazz magazine, ‘Downbeat.’

Happy Birthday, Kenny!!

Roy’s goal on this project was “to have a recording that is steeped in tradition and sophistication, while maintaining a sense of melodic simplicity.” He truly achieved that goal and then some. Roy Hargrove, one of the ‘young lions’ to arrive on the scene in the late eighties and early nineties, is continuing to do very nice things. With a style most closely aligned with Lee Morgan, Roy knows how to sound like a ‘badboy’. This compilation is masterful, taking post-bop to the next level. Roy has beautiful and warm ballad ability and demonstrates that here as well.