Watch out Trumpets, the Cornets are making a comeback!

Cornets! What the heck is a cornet? Sounds like some kind of flying saucer!

Just kidding. But until I came across Dennis Gonzales’ video a few weeks ago, I hadn’t thought about cornets since High School, some thirty plus years ago! I also forgot about the pretty sound you can produce on them. Well, it started me to thinking I needed to add a cornet to my arsenal. In the process I came across a real gem that I wanted to share with you all.

There’s this guy named Nick DeCarlis, who started to play as a kid, quit, and later, while in college, taught himself how to play. Well, since that time, he’s become a collector/restorer, gifted cornet player and avid promoter of jazz music. There is some really neat stuff on his web page ‘vintagecornets’, including an article and photos of cornets with two bells. I have placed some of the links to Nick’s sites below. Check these sites out and find out what the ‘Cornet Conspiracy’ is all about. Also, if you haven’t listened to the Dennis Gonzales video, please do!

TD

http://vintagecornets.com

http://www.jazzcor.net/

http://www.pocketcornets.com/index.html

http://www.decadesign.com/scptest/classicjazzbrochure.pdf

Video – Kenny Dorham

Happy Birthday to Kenny Dorham

McKinley Howard Dorham, aka Kenny Dorham
August 30, 1924 – December 5, 1972.
 

Trumpet Dude salutes one of the best today, Happy Birthday Kenny! Yes, Kenny Dorham was one of the best voices to ever travel the trajectories of a trumpet. While his playing voice was incredible, he never received the accolades he should have from the jazz establishment, always overshadowed by the likes of Dizzy Gillespie, Miles Davis, Lee Morgan, Clifford Brown and Fats Navarro. Perhaps this is simply because he didn’t have a flamboyant personality like the others. I can only speculate, but in fact, he was referred to as ‘quiet Kenny.’ Regardless, his playing has stood the test of time and is now considered some of the best and a must listen for any aspiring jazz trumpeter today. I myself had not heard of Kenny until trumpeter Dave Scott turned me on to him some years ago, asserting that Kenny was his favorite. To this day, I am utterly amazed and challenged by the music that Kenny composed in his improvisations.
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Ear Training

One aspect of being a musician that is extremely important, but too often overlooked by teachers and students, is learning and practicing to hear music in your head. This aural skill can be acquired through practice and is referred to as ear training. Ear training is where musicians learn to identify all the basic elements of music, such as intervals, chords, and rhythms intuitively without reading it from the sheet music. This is a good skill to begin developing as soon as possible. Ludwig van Beethoven began to lose his hearing in his twenties and ultimately became completely deaf, but he had developed the ability to hear the music he created in his head to a great extent. This skill will not only help with your sight reading abilities, but also your improvisational creativity and of course, any composing work you ultimately pursue. While the use of a keyboard will aid in this endeavor, practicing this with your voice is very helpful too. Singing out what it is you’d like to play on your horns first is something I always recommend anyway. To begin this process there are several good resources you can purchase and I recommend you do so. I have added many of these to my superstore and have placed a good one for you to start with here. Start practicing!

Jazz Sculptures by Ed Dwight

I recently had the privilege to view some incredible art pieces whose subject was jazz and its artists. Yes, this is not only art with jazz being the subject; this is fine art and sculpture produced by a man named Ed Dwight. Mr. Dwight has done some very interesting things in his life, including being an experimental test pilot and the first African American astronaut trainee. However, for many years now he has focused his direction on fine art and sculpture projects. Dwight began his art career in 1976 and has become one of most prolific and insightful sculptors in America today.

This series, “Jazz: An American Art Form” is quite incredible and should be viewed if possible. In this series, Ed depicts the evolution of jazz music from its roots in Africa to the contemporary jazz superstars of the jazz era, and focuses on this style as a pure American musical idiom. Various works from the Jazz series are on display at major galleries and museums throughout the U.S. The series has received critical acceptance internationally. The complete series consists of over 70 works focusing on the African tribal contributions, and also includes such great jazz performers as Miles Davis, Charlie Parker, “Satchmo” Armstrong, Ella Fitzgerald and Benny Goodman.

For information about Mr. Dwight or if you wish to purchase some of these fine productions, go to http://www.eddwight.com/galleries/jazz/index.htm#

Jazz Improv Books by Jerry Bergonzi

I have just added several outstanding books on jazz improvisation by Jerry Bergonzi to the Trumpet Superstore. I think they are superb and highly recommend them to you. Jerry Bergonzi is an internationally recognized jazz performer, composer, author and educator.
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Roy Hargrove Quintet, ‘Earfood’

You’ve all heard of ‘eye candy,’ well this one is most assuredly not just ‘Earfood’ it’s candy for the ears!

Roy’s goal on this project was “to have a recording that is steeped in tradition and sophistication, while maintaining a sense of melodic simplicity.” He truly achieved that goal and then some. Roy Hargrove, one of the ‘young lions’ to arrive on the scene in the late eighties and early nineties, is continuing to do very nice things. With a style most closely aligned with Lee Morgan, Roy knows how to sound like a ‘badboy’. This compilation is masterful, taking post-bop to the next level. Roy has beautiful and warm ballad ability and demonstrates that here as well.

The tracks are:

1. I’m Not So Sure
2. Brown
3. Strasbourg/St. Denis
4. Starmaker
5. Joy is Sorrow Unmasked
6. The Stinger
7. Rouge
8. Mr. Clean
9. Style
10. Divine
11. To Wisdom the Prize
12. Speak Low
13. Bring it on Home to Me

Visualization

Unlike a piano or guitar that are color-coded and allow for one to consider multiple notes at a time, the trumpet is not an instrument that lends itself to harmonic visualization while playing. We only have three keys to choose from, so we must learn to practice visualizing in our minds what it is we want to play. I noticed that prior to playing anything in the upper register, Louis Armstrong’s eyes would look to the heavens. I can only assume that was his way of visually telling his mind what he wanted to occur. Perhaps not exactly the example I would like to convey, but worth some thought.

Just like the lungs and lips, the mind needs to be warmed up and focused too. You might want to begin thinking about your playing throughout the day, without your horn in hand, and practice visualizing various scales and other musical idioms. This approach will get the mind thinking about your musical desires and also help you to practice planning out your musical efforts in advance of a session. It will also make the physical aspect of your playing come easier when the actual time comes to either practice or execute.

Back to my thought about Louis’ eyes, I also recommend getting in the habit of thinking about a passage before you play it. You will be surprised as to how much this will improve your execution. In addition to the mental visualization thing, I recommend singing whenever possible. This also will greatly assist with the physical side of playing.

Scat singing might be a way for you to simply practice your singing ability, regardless of any particular passage. Scatting will aid you in opening up your throat and of course relaxing!

Life on Jazz

Personally, between you and me, coming up with new ideas and sounds and executing them nicely, is the biggest rush that I receive from playing music. I think that to be creative you must attempt it often, not just in your music, but in your overall life. I call this, ‘Life on Jazz.’

Now, I’ve termed this column, ‘creativity,’ but it’s not going to be limited to the literal sense of that word. The process of being creative involves numerous subjects. Although from time to time I will be discussing various aspects of ‘creativity’ in the “Playing/Improvisation’ section of this site and also within the ‘Player Well Being’ section, I think that it is a broad enough and important enough topic that the dividends of its pursuit are worthy of a separate section. [Read more...]

Shake, Rattle and Roll

“Shake, rattle and roll”, yes there’s some good vibrations going on in Lala land once again. 5.4 on the Richter today! I lived in LA during the last big Northridge Quake, what a trip!   LA always reminds me of a concert I had the privilege to attend while out there. It was dedicated to Dizzy Gillespie and held at the Hollywood Bowl, “To Diz with Love-Celebrating the Dizzy Gillespie Diamond Jubilee,” with Slide Hampton as Musical Director-and of course playing his bone. Freddie Hubbard played the lead trumpet part, along with a fairly young Roy Hargrove. Clark Terry, Harry “Sweets” Edison and Claudio Roditi were also playing in the trumpet section. At one point Dizzy came on stage all decked out in a bright yellow leisure suit and, of course, received an immediate standing ovation.  Having been a fan of his since middle school, it was quite a treat.  James Moody, David Sanchez and Paquito D’Rivera held down the saxophone section.
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