Happy Birthday to Kenny Dorham

McKinley Howard Dorham, aka Kenny Dorham
August 30, 1924 – December 5, 1972.
 

Trumpet Dude salutes one of the best today, Happy Birthday Kenny! Yes, Kenny Dorham was one of the best voices to ever travel the trajectories of a trumpet. While his playing voice was incredible, he never received the accolades he should have from the jazz establishment, always overshadowed by the likes of Dizzy Gillespie, Miles Davis, Lee Morgan, Clifford Brown and Fats Navarro. Perhaps this is simply because he didn’t have a flamboyant personality like the others. I can only speculate, but in fact, he was referred to as ‘quiet Kenny.’ Regardless, his playing has stood the test of time and is now considered some of the best and a must listen for any aspiring jazz trumpeter today. I myself had not heard of Kenny until trumpeter Dave Scott turned me on to him some years ago, asserting that Kenny was his favorite. To this day, I am utterly amazed and challenged by the music that Kenny composed in his improvisations.
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Maynard Ferguson: “The Lost Tapes Volume 2″

For all you Maynard fans, listen up! “The Lost Tapes Volume 2″ has now been released and is available today! This has been put together and produced by Sleepy Night Records. This recording is the second in a trilogy project by Sleepy Night and you can purchase it in MP3 form through the link below. When Volume One of this series came out, I waited anxiously for its arrival. When it came, I played it repeatedly for weeks. It is awesome and so is this one. The music captures Maynard’s playing at his peak and is just incredible. Ernie Garside is the Executive Producer of this project and was a close friend, musician, promoter and manager for Maynard. He holds the rights to this music and has worked quite hard and put up a lot of money, along with producers Sean and Gary Gillies, to make this possible. The project is derived from old reel-to-reel tapes found in Ernie Garside’s house. To ensure this project’s continued success, tell everyone you know that this is available. In MP3 format this is a two-disc set and includes 10 tracks and a priceless and fantastic booklet containing rare photos and new comments from Ernie Garside, Lynn Nicholson, Adrian Drover, Brian Smith and others.
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Happy Birthday Art Farmer!

Happy Birthday Art Farmer!

Arthur Stewart Farmer, August 21, 1928 – October 4, 1999.

 I would like to say a special Happy Birthday to one of my personal mentors, Art Farmer. Art began performing as a jazz trumpeter in the 1940’s and 50’s. He, along with Clark Terry, was influential in bringing the flugelhorn into the sounds of jazz. He also later played what I just learned was called a Flumpet, a combination trumpet and flugelhorn designed for him by David Monette.
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Mathias Eick

Recently I came across an upcoming jazz player, trumpeter and multi-instrumentalist, Mathias Eick. Mathias was the 2007 Recipient of the International Jazz Award for new talent. I was impressed with his style and sound. The Guardian aptly described his playing as, “silky un-brass like sound…an undulating groove landscape.”

Mathias has previously worked with the divergent likes of Chick Corea and the Trondheim Jazz Orchestra to Norwegian psychedelic rock band Motorpsycho.
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Musical Colorist – Johnny Coles

As artists we must take in as many ideas, colors, textures, and sounds as possible, all of which become our own palette to draw from when we create. This is especially true in Jazz, as it is a collaborative art form where we learn from each other.

Well, last night, having worked too late into the evening, I wasn’t in the mood for high note antics or the like. You might say I was feeling a bit mellow. Thumbing through some CD’s I hadn’t listened to in a while, I came across ‘Little Johnny C,’ by Johnny Coles. I had forgotten what an experience it is to listen to this cat play. Oh man, I mean his sound lights a fire deep into my spine. Warm but cool, with shades of purple, green and yellow. While Johnny Coles is not a household name in the jazz world, as trumpeters he is one player that you should be familiar with. Johnny grew up in Philadelphia and started playing the trumpet at age ten. He was mostly self-taught, with the extent of his formal music training being received at a vocational high school. He played in army bands during the war years and thereafter began to play in various R&B groups, including Eddie “Cleanhead” Vinson’s group, which included John Coltrane. After this period, Johnny hooked up with James Moody and played with his group from 1956-1958. When he left Moody, he began an association with Gil Evans that lasted until 1964. During those years he played on several Evans productions, including several Evans-Davis collaborations, such as ‘Porgy and Bess’ and ‘Sketches of Spain’. Some have commented that his association with Evans deprived him his just dessert and caused him to be seen as merely a Miles Davis understudy. Regardless, Mr. Coles exploited the fullness of his trumpet’s qualities, as he was truly a capable musical colorist that understood how to use a color’s shades well. After separating with Evans, he toured with the Charles Mingus group for a period. There is a Charles Mingus DVD set entitled ‘Live in ’64,’ that contains live footage of the group’s performances in Europe. Johnny also played with Herbie Hancock during 1968-69. A great chart to hear his genius on is entitled, ‘The Prisoner’ on the Herbie Hancock album of the same name. During the remainder of his life, Johnny played with Ray Charles, Duke Ellington and Count Basie, among others. You can enjoy the warm sound of Johnny Coles on these fine productions.